One of the greatest fresco viewing in Florence.NEW FOOTAGE - BIG BAD BRTZMANN QUINTET concert video from last winters splendid concert - keeping the fire burning are peter brtzmann (sax, cl).News of Jazz Music New book by Piero Scaruffi: A History of Jazz MusicPeter Brtzmann performs at The Chapel in San Francisco on Aug. Begun by Masolino and his pupil Masaccio around 1424, and completed by Filippino Lippi 50 years after Masaccio’s death, it contains the greatest of Masaccio’s works. The fresco cycle is dedicated to the Life of Saint Peter, and illustrates a life given to fight sin.

Peter Brtzmann at The Chapel. Br&246 tzmann was one of the early adopters of the free jazz. For this two-set evening his only partner was local drummer Donald Robinson. Sam Rivers died of pneumonia on december 26 in Orlando (Florida) at 88.Peter Br&246 tzmann Visits The Chapel Last night at The Chapel, (((folkYEAH))) presented a visit from German saxophonist Peter Br&246 tzmann, who has been a leading figure in European jazz since the Sixties. Sets FIRST PARISH IN CAMBRIDGE (Helverson Chapel) 3 Church Street, Harvard Square 8pm 15 gen / 10 students & Non-Event members ABOUT THE ARTISTS. Melody was the squeal of the saxophone, harmony the.

Six tracks for over 40 minutes, recorded on january 2011 2) Orange Afternoons, another informal session in Brooklyn yielded six new Douglas compositions for a quintet with Ravi Coltrane (sax), Vijay Iyer and Linda Oh (both on piano) and Marcus Gilmore (drums), featuring collective music alternating several solos, recorded on march 2011 3) Bad Mango, performed with So Percussion group, with Dave on trumpet, Eric Beach (estey organ, Ableton, musical saw, toys, metronomes, shruti box, crotales), Adam Sliwinski (marimba, toys, concert bass drum, glockenspiel), Jason Treuting (drumset, melodica, deskbells) and Josh Quillen (korg synthesizer, vocoder, kick drum, snare drum, ride cymbal). After Spirit Moves and United Front, Dave Douglas' projects Brass Ecstasy continues with Three Views, a 3CD set released by Greenleaf, that collects: 1) Rare Metals, an informal studio followup to the live United Front, utilizing the same personnel but adding 5 new compositions and a new arrangement of Billy Strayhorn's Lush Life. The Chapel 777 Valencia Street San Francisco, CA Map.

They performed a set of seven studioImprovisations on september 2003 in Venice.3 acts composed in 1910 and premiered in fall 1911 by Scott Joplin, wasRestored and world-premiered by conductor Rick Benjamin with the Paragon Ragtime Orchestra and Singers, and now presented on a 2CD set by New World, that places hereLiner notes at disposal. These concerts were recorded in september and october 2010, and feature jazz standards and originals from Rollins' audio archives, with, particularly, the 20-minute Sonnymoon For Two, the first-ever public performance with Rollins and Coleman together.Vista, released only now by Meta, features the notable trio of Sam Rivers (here on flute and tenor/soprano saxes), Adam Rudolph (hand-drums and percussion) and Harris Eisenstadt (drumset). Recorded on april 2011.The two volumes of Road Shows, released by Doxy, document live performances led by saxophonists Sonny Rollins (on tenor) and Ornette Coleman (on alto), with guitarist Jim Hall and trumpetist Roy Hargrove, among other. PNL label released their Ada, a 1-track (33 minutes) CD featuring Brotzmann on alto & tenor saxes, clarinet & tarogato, Lonberg-Holm on cello & electronics, and Nilssen-Love on drums. Mostly improvised, these eleven tracks were recorded on may 2010 at St Peter's Church Whitstable.Ada Trio is a new notable project, created by Fred Lonberg-Holm, Peter Brotzmann and Paal Nilssen-Love.

That traditionalEuropean orchestral sound was based on large numbers of violins,Violas, cellos, and basses playing continuously string tonePredominates, while the winds and brasses are interjected for coloristicEffects. Further, Joplin’s cuing of the string entrancesAre always in the singular (as in “violin” or “cello”), indicating thatThe composer was not expecting to hear string sections. Orchestra there are no mentions of oboes, bassoons, French horns, tubaOr harp-instruments that figure prominently in the1970s orchestrations. The only ones indicated are members of the simple Eleven &Pno. This is the key toAny attempt to authentically re-create Scott Joplin’s theatrical“soundscape.” In his original 1911 Treemonisha piano/vocal score JoplinPresents us with further clues as to his orchestral intentions: thereAre several instances where he specifies instruments to play certainPassages.

At the top of the orchestra, the flute (andPiccolo, both played by one performer) doubles the melody in the higherOctaves and frequently offers flights of decorative “filigree.” In 1998I finished my new orchestration of Treemonisha (more than 600 pages of score and parts) and began to program excerptsFrom it during Paragon Ragtime Orchestra concerts. The double bassPlays Joplin’s eminently satisfying bass lines which include manyInteresting solos and solis. The cello mainlyProvides flowing countermelodies, and in itsHigh register is used for poignant solos. The strings areWritten for one-one-a-part performance, with the 1st violin covering theMelody (thus usually doubling the vocal soloists) and the 2nd violinAnd viola playing rhythmic chordal accompaniments withFrequent double- and triple-stops. First, all the chords are “voiced” in a very openGreat fullness using a very small number of players.

Furthermore, OMP again presents Duets (Pittsburgh) 2008, recorded the same may 2008 by Anthony Braxton and Ben Opi, a Ltd Ed 2 CD set featuring Anthony on alto, soprano & sopraninoSaxes & contrabass clarinet, with Ben Opie on alto & tenor saxesAnd B-flat & contrabass clarinets. AlsoIncludes an inserted CDR of another Braxton piece (alsoConducted by him) performed by the CAPA High School New Music ensemble:Antithesis. This is a performance of Anthony BraxtonConducted by Braxton himself the pieces: Composition 173, Composition100, Composition 134 and Composition 165. Eleven tracks, for 75 minutes.Ensemble (Pittsburgh) 2008 (not to be confused with Septet Pittsburgh 2008) is an Anthony Braxton vinylAlbum released by OMP. Studio session for CD was recorded on may 31And June 1–2, 2011 at the American Academy of Arts and Letters (NewVinny Golia's Abstractions and Retrocausalities,His new album recorded on july 2011, on which the musician, here onSopranino, baritone and contrabass saxes, contralto clarinet, bawu,Daegeum and michiriki, leads a lineup with Dan Rosenboom(piccolo, trumpet and flugelhorn), Gavin Templeton (alto sax),Alex Noyce (electric guitar), Jon Armstrong (electric bass) and AndrewLessman (drums).

Each piece is either a solo or duo. The first disc, instead, was recorded live in the studio in 2006, quite totally improvised.Roscoe Mitchell' Numbers, presented by RogueArt, was performed by the altoist with baritone vocalist Thomas Buckner, the piano trio of Joseph Kubera, Stephen Rush and Joan Wildman, vibraphonist William Winant and other musicians it collects 13 pieces, all by Roscoe, recorded in several sessions, from august 2002 to august 2010.

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